#EDITREADY CODECS UPDATE#

Along with the camera, ARRI introduced the new REVEAL color science. Freshly released at the end of May, the company’s new flagship Super 35 mm cinema camera features a completely redesigned 4.6K sensor with an astonishing claimed dynamic range of 17 stops.

#EDITREADY CODECS UPDATE#

Moreover, the 22.3 update welcomes the new ARRI ALEXA 35 to the list of supported cameras. According to Hedge, the software makes use of Canon’s own color science to provide an accurate conversion. This enables better handling of the footage during the editing process. EditReady users can now transcode this RAW data into a mezzanine file format, such as ProRes. This can be found on a vast range of Canon products, going from high-end cinema models (such as the C500 Mark II, C300 Mark III, and C200) to the 8K-capable EOS R5 C mirrorless camera. The new EditReady 22.3 introduces support for Canon’s own compressed file format, called Canon Cinema RAW Light. Image credit: ARRI EditReady 22.3: now supporting Canon Cinema RAW Light and ALEXA 35 Indeed, it embraces the popular Canon Cinema RAW Light format as well as the long-awaited ARRI ALEXA 35.

The latest version of the software further expands the list of supported file types. Now, the company is introducing EditReady 22.3. Just a few months ago, EditReady 22.2 brought support for Sony Uncompressed RAW and X-OCN formats, along with the new Color Conversion panel. It allows users to convert original footage from a variety of different camera models into more manageable, edit-friendly files. The update is available now and is free for all existing users.ĮditReady is an increasingly popular transcoding solution developed by Hedge. Hedge has recently released EditReady 22.3 with added support for Canon’s compressed RAW format and ARRI’s flagship Super 35 mm camera, the ALEXA 35. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.

Editready codecs